Today tastes like salt. Grey mineral-laden salt, earthy underneath the salinity. And pink peppercorns. It's a basic day, with a twist.
Hence, time for some fiction. Presenting: Jake's Pet.
Even in our eccentric little group, Jake had a bit of a reputation. See, we all have our areas of expertise–Mary can recite the jingle of every toy of the year going back to the Cabbage Patch Kids. Roy is the sea lawyer of Dungeons and Dragons–no, the classic edition, pamphlet bound in paper. Tom has been on a mystery walk since he was nine, and he’s picked up more than the Nag Thomas in that time. But Jake–Jake is kinda weird, and I don’t mind who hears me say so. Even though he’s my best friend.
See, Jake is into aquatic life. He’s fascinated by fish. And not bony fish, the squoogy kind. Slugs and anemones, cucumbers and jellyfish. And octopuses . . . octopi??? Jake would know for sure what the plural is, and it’s probably some bizarre Greek declension. Octopodes, maybe.
Jake never wanted a cat or dog, so far as I know. Or a horse, or other fantasy pet when you live in the city. He agitated for an aquarium when he was four, he bragged. A saltwater aquarium that he could fill with the strange floral animals of the sea. His folks bought him a goldfish bowl, telling him that if he took good care of it, he could have a bigger, better set up next year.
I don’t know what they were thinking – well, actually, I do. They were thinking that this desire would burn hot and flash over shortly, like kids’ whims often do. Jake would realize fish weren’t like dogs or cats; you couldn’t pick them up and give them a hug, they couldn’t sleep on the foot of your bed, they wouldn’t play with you.
Except, well, Jake had the touch when it came to fish. That goldfish not only made it through Christmas and past the Fourth of July, this fish grew to the size of a carp and lived a long life–years!–until it finally died. Jake trained it to leap out of its bowl and turn a somersault like a little orange dolphin when he waved his hand over the bowl. I’ve seen the pictures with a tiny cowlicked Jake in overalls, grinning with oversized teeth flanked by gaps, and a goldfish tumbling through the air behind his outstretched hand.
He did it for me once, live, when I said that it was photoshopped, or that he tossed the fish somehow. Theodore Sturgeon, the goldfish, rose slowly to the top of the tank when Jake waved his hand over the still surface of the water. I swear the fish heaved a sigh when Jake waved more insistently. “He’s old,” Jake said, apologetically. “I haven’t asked him to do this in years.” Ted sank back down a little, then exploded out of the water, shining scales gleaming, heavy head lowering till his barbels touched the water, tail waving as it arced up over his head in a flip, then creamy belly down and headfirst back to the bottom of the tank to doze. I’ll never forget that moment.
My folks didn’t care much for Jake. Too quiet, they said. But I overheard Mum talking to dad one night about him after Jake had spent the weekend with us. “His hands are always clammy,” Mum whispered. “And his eyes are too far apart.” Dad muttered something about prejudice and superstition half into his pillow, but Mum continued, “His mouth–have you ever looked at his mouth? He has too many teeth.” I was glad she’d never met Jake’s mother. He looked a lot like her, sharp white teeth in a little bee-stung mouth, small ears flat to her head, eyes wide-set with a broad nose between them. Her skin was a deep olive, even slightly blue, and her hair was pure white. Long and flowing, and somehow always in motion around her head as if she were swimming. Jake was paler, with short black hair that always looked wet. Like a seal’s, short and shiny. He took after his dad that way.
So, anyway, that was Jake then. And he really hasn’t changed since then. It’s like he was born an adult, just a small one, and now he’s just become bigger and stronger. Like one of his beloved invertebrates. But then he got religion, and things really became strange.
Oh, I know what you’re thinking. Animal sacrifice on the beaches at the turning points of the year, leather-bound books that moan and whimper in the night, fetishistic jewelry. Ok, you got me on that last one. Jake took up Eastern Orthodox Christianity, and started wearing a crucifix.
He asked me and Tom to help support him in his new beliefs. Just as witnesses, you might say. Jake’s family, hard-boiled agnostics all, took a dim view of his retreat to superstition, as they referred to it. They celebrated Christmas in the grand old pagan style–any excuse for a party, especially ones that featured gifts and food. But as far as setting foot in a church? Never. Not even for Easter and Christmas. Jake attended every Mass, and soon knew the calendar of holidays.
I went with him one October for the Blessing of the Animals. Pretty much ever family had a little yappy furball on a leash, a cat in a carrier, a bird in a cage. I saw some big dogs sitting in the pews, and even a turtle in an aquarium. Jake, of course, had a bucket of seawater and tentacles.
When he took his animal up for blessing, the priest looked into the bucket. I can only imagine what he thought when he saw those slit-pupiled eyes looking back at him. The father was a trouper, though, laying his hands on the bucket to bless the creature inside. He didn’t scream when an arm reached out of the bucket to reverently touch his hand, but I saw him leave the nave shortly after Jake turned to go, beaming.
This last Christmas was one for the books, though. Jake had read about how animals were supposed to be able to speak at the stroke of midnight on Christmas Eve. He wanted to hear for himself, but see, Jake is solar-powered. Seriously; as soon as the sun goes down, so does he. So he asked me to help him stay up till midnight, watching by the light of the aquarium so he wouldn’t miss it.
Well, Jake’s mom makes the best eggnog and fruitcake in Christendom, so I had nothing to lose by spending the night with my friend. If the beasts actually spoke up, I’d have a story to go drinking on for months. Maybe years. If nothing else, I could stuff my face with seasonal goodies and claim that the sugar would help keep me awake. Win-win, right?
So there we were, on the floor of the aquarium room–really. The little tank slowly grew to eat up a whole wall of the house, but only one animal lived there. An octopus nearly the size of a footstool, cruising slowly on the bottom, hauling itself along by its arms as thick as mine.
Jake never named his animals. “They have their own names,” he said, looking me in the eyes. He made eye contact only sparingly, only when it was really important that he be heard, that he communicate. “They have their own names, but I can’t understand them. It would be rude to call them by the wrong name, so until I understand their names, I won’t call them anything.” Maybe this year, I’d get to know this one’s name.
The minutes ticked by. I felt the same sense of anticipation you get when you finally get to stay up past midnight on New Year’s Eve–before you realize that there’s nothing magic about that moment, about the first few seconds of a new year. There’s no threshold to cross, nothing really changes. The champagne tastes the same. But that first time, why, anything could happen!
And in a way, it did. At midnight, the octopus surfaced, pulling itself head and two legs up out of the tank, leaving its body and six legs dangling in the water. It smiled. It had human lips and teeth on its underside, whereas I thought they had some beaky thing.
It smiled and it spoke to us, although I didn’t see its lips move, I heard it clearly. It said something about the forthcoming aeon of the Great Old Ones, then slid back into the water. Funny how I don’t really remember the words it said, just the sense of it. Just the feeling of the hair on my neck standing up, just the feeling of foreboding, like right after you wake from a nightmare.
And this morning I read that the elected Palestinian president has been assassinated, and troop withdrawal has been postponed again. And I remember what the octopus said, about the aeon of the Great Old Ones, and I wonder just what it meant by that.
I’ll have to ask Jake.
Wednesday, January 30, 2008
Wednesday, January 23, 2008
I Have No Excuses
Today tastes like chicharron (the good hard crunchy kind, solid and dense, not the little puffs of nothing), refried beans, and cheese. All I need is a warm tortilla and life would be excellent.
Last year at about this time, I was writing 55 word stories (henceforth "NanoFiction"). A story a day.
Last year at about this time I stopped writing NanoFiction. I meant to take the month of February off, then start again, but I just never really started.
I told myself it took too long, that I was tired, that . . . uhm . . . well, I'm sure I have a good reason. I must have left it in my other pants.
Truth is, I got scared. The tame little pony I'd climbed up on became a stallion underneath me, and I was scared. Of what, Ralph the Cat God only knows. (When the cats look up at the ceiling in the middle of the night and wail, "Rrrrralph! Rrrralph! Rrrralph!" they're praying to the Cat God. Like little furry muezzin chanting the azan.)
Scared perhaps, of producing a body of work? Scared of achieving some form of success? Scared of following through on a personal commitment? It's easier somehow, when you commit to an external thing, where your work needs to go to someone else by a certain date. You can push through a block by saying "But Sally will be soooooooo disappointed if I don't get up and get going on the Project. So I'll put down the Ben & Jerry's and go make some art." It's harder to get motivated when it's your own disappointment you have to live with.
So last year, I committed to posting once a week here, and so far, I've kept that. And this year, I've jumped back up on the NanoFiction Stallion. Rather than riding the horse and worrying about control, I'm going to let it animal around with me. Wherever we go is where I'll be.
Wherever we go, I will be somewhere in the world.
Last year at about this time, I was writing 55 word stories (henceforth "NanoFiction"). A story a day.
Last year at about this time I stopped writing NanoFiction. I meant to take the month of February off, then start again, but I just never really started.
I told myself it took too long, that I was tired, that . . . uhm . . . well, I'm sure I have a good reason. I must have left it in my other pants.
Truth is, I got scared. The tame little pony I'd climbed up on became a stallion underneath me, and I was scared. Of what, Ralph the Cat God only knows. (When the cats look up at the ceiling in the middle of the night and wail, "Rrrrralph! Rrrralph! Rrrralph!" they're praying to the Cat God. Like little furry muezzin chanting the azan.)
Scared perhaps, of producing a body of work? Scared of achieving some form of success? Scared of following through on a personal commitment? It's easier somehow, when you commit to an external thing, where your work needs to go to someone else by a certain date. You can push through a block by saying "But Sally will be soooooooo disappointed if I don't get up and get going on the Project. So I'll put down the Ben & Jerry's and go make some art." It's harder to get motivated when it's your own disappointment you have to live with.
So last year, I committed to posting once a week here, and so far, I've kept that. And this year, I've jumped back up on the NanoFiction Stallion. Rather than riding the horse and worrying about control, I'm going to let it animal around with me. Wherever we go is where I'll be.
Wherever we go, I will be somewhere in the world.
Tuesday, January 15, 2008
The Circus Is Leaving Town . . .
Today tastes like stale carmel corn, deep fried everything when the oil needs changing, and hot dogs of dubious origin. The Embellished Circus is folding its tents and closing down.
What is/was the Embellished Circus, Spike? A really great Yahoo Group devoted to mixed-media in all its sparkly gluey glory. This was the first group I ever sucked it up and juried into. They had a group blog for showing your latest work. I loved the swaps because the subjects were always novel and challenging. But the moderators realized that the time devoted to the Circus was eating into art time, so they're cutting loose and moving on.
I totally understand their decision. There's only so many hours in the day, and while I can always make more money, I can't make more time. Thus I refute the "time is money" argument. They aren't equal.
And that's why I'm not jumping into the air waving my arms screaming that I'll take it over and keep the clowns in line. I have creative projects of my own that need tending to, as well as group efforts that I need to play my part in to fulfil, and by the way, I need to work to earn the money to support all this.
So as the barkers tuck their slum away, the calliope groans to a halt, and the lights of the Ferris Wheel go out, I'll be slinking back to my trailer, wiping off the greasepaint, and removing my rubber limbs.
A good gig while it lasted.
What is/was the Embellished Circus, Spike? A really great Yahoo Group devoted to mixed-media in all its sparkly gluey glory. This was the first group I ever sucked it up and juried into. They had a group blog for showing your latest work. I loved the swaps because the subjects were always novel and challenging. But the moderators realized that the time devoted to the Circus was eating into art time, so they're cutting loose and moving on.
I totally understand their decision. There's only so many hours in the day, and while I can always make more money, I can't make more time. Thus I refute the "time is money" argument. They aren't equal.
And that's why I'm not jumping into the air waving my arms screaming that I'll take it over and keep the clowns in line. I have creative projects of my own that need tending to, as well as group efforts that I need to play my part in to fulfil, and by the way, I need to work to earn the money to support all this.
So as the barkers tuck their slum away, the calliope groans to a halt, and the lights of the Ferris Wheel go out, I'll be slinking back to my trailer, wiping off the greasepaint, and removing my rubber limbs.
A good gig while it lasted.
Thursday, January 10, 2008
The Gauntlet has Been Thrown
Today tastes like chicharone burritos--flour tortillas full of refried beans, cheese, and pork cracklin's. It's the flavor of sentiment, of homesickness, of nostalgia.
I'm missing the land and the people I grew up with. It's not that I would trade what I have here in the Salt River Valley for a trip back to the Rio Grande basin. I miss the specific TIME that I was there as much as I miss the SPACE. The space has changed, the time is past, and there are new things now in both places. But while talking with Li'l Brah this weekend, I was reminded of how we heterodyne with each other and feed off the other's cool projects. We don't get that so much anymore, and I miss it.
So--
Li'l Brah talks about NaNoWriMo and limited time and his solution to both here. Essentially, he has more on his plate than will allow him to do what he wants with NaNoWriMo (a Lovecraftian horror-fest with a final italicized ending that blows the roof off the top of your head), and perhaps more importantly, he doesn't want the whole 50,000 word sundae. He just wants the last three paragraph cherry on the top.
So he wrote his ending.Boom! And then he challenged anyone who was up to the task to do the same--the last paragraphs of a Lovecraftian story featuring shambling horrors that surpass description, the final sight that precipitates the meltdown of our hero which takes place off the page, and Things Man Was Not Meant to Know.
I mean, how can one resist such bait?
So, here's mine.
Walking along our beach once again, I thought of Silvie. A year and a month, it's been, since that awful night. We would walk here, watching the fog roll in. We made love at the edge of the tides on our honeymoon, and each summer after that. Our own midsummer ritual, under the stars.
"Like salmon," I'd said once. "Or turtles, coming back to the hatching beaches every year to spawn." She'd smiled that thin-lipped smile, and laid her long graceful fingers on my lips. Her hands would have been pretty save for the depth of the webbing that nearly bound her fingers together.
One night, I'd woken and she wasn't there beside me. I went through the house, calling her name. I'd gone outside to look for her, turned on the lights by the pool. Nothing. Silvie was gone.
Now, I walk our beach along in the dark, playing on the pennywhistle she'd loved, its silly tuneless piping an insane bird's twitter under my untutored fingers. "Anyone can whistle," she'd said, often. "I'm not just anyone," I'd reply.
I look out into the surf, watching the tide retreating slowly. A patch of moonlight--no, phosphorescence--glimmers in the deeps where the waves are born. I continue my duet with the ocean.
It's coming closer. I can see her. Silvie!!
I'm missing the land and the people I grew up with. It's not that I would trade what I have here in the Salt River Valley for a trip back to the Rio Grande basin. I miss the specific TIME that I was there as much as I miss the SPACE. The space has changed, the time is past, and there are new things now in both places. But while talking with Li'l Brah this weekend, I was reminded of how we heterodyne with each other and feed off the other's cool projects. We don't get that so much anymore, and I miss it.
So--
Li'l Brah talks about NaNoWriMo and limited time and his solution to both here. Essentially, he has more on his plate than will allow him to do what he wants with NaNoWriMo (a Lovecraftian horror-fest with a final italicized ending that blows the roof off the top of your head), and perhaps more importantly, he doesn't want the whole 50,000 word sundae. He just wants the last three paragraph cherry on the top.
So he wrote his ending.
I mean, how can one resist such bait?
So, here's mine.
Walking along our beach once again, I thought of Silvie. A year and a month, it's been, since that awful night. We would walk here, watching the fog roll in. We made love at the edge of the tides on our honeymoon, and each summer after that. Our own midsummer ritual, under the stars.
"Like salmon," I'd said once. "Or turtles, coming back to the hatching beaches every year to spawn." She'd smiled that thin-lipped smile, and laid her long graceful fingers on my lips. Her hands would have been pretty save for the depth of the webbing that nearly bound her fingers together.
One night, I'd woken and she wasn't there beside me. I went through the house, calling her name. I'd gone outside to look for her, turned on the lights by the pool. Nothing. Silvie was gone.
Now, I walk our beach along in the dark, playing on the pennywhistle she'd loved, its silly tuneless piping an insane bird's twitter under my untutored fingers. "Anyone can whistle," she'd said, often. "I'm not just anyone," I'd reply.
I look out into the surf, watching the tide retreating slowly. A patch of moonlight--no, phosphorescence--glimmers in the deeps where the waves are born. I continue my duet with the ocean.
It's coming closer. I can see her. Silvie!!
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